arts & cats | Enjoy the blog. I'm friendly










mydarkenedeyes:

Minna Sjöholm

kidmograph:
“F∆CE SHIƒT
”

kidmograph:

F∆CE SHIƒT

archiveofaffinities:
“Clorindo Testa / SEPRA, Bank of London and South America, Buenos Aires, Argentina, 1967
”

archiveofaffinities:

Clorindo Testa / SEPRA, Bank of London and South America, Buenos Aires, Argentina, 1967

sakrogoat:
“Albert Joseph Moore - Midsummer
”

sakrogoat:

Albert Joseph Moore - Midsummer

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(Source: memewhore)

(Source: jacksonsteller)

(Source: awwsauce)

dekehlmark:
“  Charles Jouas (1866-1942), Paris, Le palais de Justice vu du Pont Neuf - 1915
”

dekehlmark:

Charles Jouas (1866-1942), Paris, Le palais de Justice vu du Pont Neuf - 1915

(Source: edge-level-100)

130186:
“Nina Ricci Fall 2016
”

130186:

Nina Ricci Fall 2016

cybergata:

“What is this?  Hum must be something for Maru to climb into.”  AND “something for Hana to squish Maru down into.” 

generallyhuman:

sonypraystation:

baetology:

Describe your perfect date in detail.

ideal date: it happens

What is my perfect date? I break into Tiffany’s at midnight. Do I go for the vault? No, I go for the chandelier. It’s priceless. As I’m taking it down, a woman catches me. She tells me to stop. It’s her father’s business. She’s Tiffany. I say no. We make love all night. In the morning the cops come and I escape in one of their uniforms. I tell her to meet me in Mexico but I go to Canada. I don’t trust her. Besides, I like the cold. Thirty years later, I get a postcard. I have a son and he’s the chief of police. This is where the story gets interesting: I tell Tiffany to meet me in Paris, by the Trocadero. She’s been waiting for me all these years; she’s never taken another lover. I don’t care, I don’t show up. I go to Berlin. That’s where I stashed the chandelier.

(Source: dothemoststpatrick)

communicants:

An Actor’s Revenge (Kon Ichikawa, 1963)